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Showing posts with label english novels. Show all posts
Showing posts with label english novels. Show all posts

Thursday, November 20, 2008

OLIVER TWIST by Charles Dickens


CATEGORY: Books
GENRE: Children's Books
RATING: 4 Stars
When I was in High School, I can freshly remember that we were obliged to read any of the titles my English teacher wrote on the board and eventually write a book review following a given format. 

It was a long list of classical novels of English and American authorship and, as we were informed, they were the best of their time. I never really gave any effort at selecting which among them would trully fit my interest unlike my classmates, who at once know what they would read. I knew nobody from those authors back then because our English class isn't really similar compared to those in other schools. Long story.  

Instead, when I paid a visit to our local bookstore, I picked up the first title that I saw which is included in the list. And guess what, I purchased Charles Dickens' A Tale of Two Cities. I wasn't really a book enthusiast that time and my bank of english words is so pitiful to brag about. That's particularly the reason why by the time I took a peek at the first page of the novel, I eventually gave up the hope of submitting a good review. I hardly understood anything Dickens have written. I felt so dumb in English that I lost the confidence in the subject. 

It was not until two years later that I learned to polish my English by reading basically anything that would quench my thirst for more English terms and ideas. Three years later, after losing the first Charles Dickens book I bought for that project in High School, I gave it another shot through Oliver Twist. 

Only then did I discover why Charles Dickens is revered to be the best story teller in literary history. Oliver Twist is a subtle reminder of Dickens' lasting legacy as he presented the plot in a way where you'll be mesmerized by its unfolding.  

**SPOILER ALERT**  

It's true that it contained scenes, sometime irrelevant and could have otherwise been deleted without affecting the flow, but more than anything else is how you could vividly picture the whole scenario he's talking about through his long narratives chronicling to the reader the life of an orphan who, at a premature age, experienced the cruelty of a society characterized by inequality and rampant criminal acts.  

Oliver is a boy who was housed together with other orphans in a parochial house after his poor mother died after giving him birth. Deprived of the food little boys needed to grow up healthy, he was tasked one day to ask for more helpings of the same food given to them every day.  

"Please sir, I want more," begged poor Oliver. But this did not lead to anything good as he was dispatched to become a servant-apprentice to a funeral parlor at a meager price.  

Due to their heartlessness, he escaped to London by foot for several days amidst the cruel roads and weather. 

In London, he was offered a place to stay by a bunch of robbers who trained him to be like them but never thought that the innocence and goodwill of the boy could never be bent.  

As the story progressed, the curious reader becomes aware that Oliver's plight as a robber was all plotted by a half-brother unknown to him. This, however, was not shown in the movie and the musical.  

When Oliver was finally saved after an unsuccessful robbery lead by the notorious Bill Sikes from these disdainful people by another orphaned girl who was adopted by a rich family and who later discovered that they were family, they soon learned the reason behind Oliver's mishaps - his brother, Edward Leeford who fashioned himself another name - Monks, as he hated his name which was the same with his father.  

It turned out that his father left both of them a considerable amount of money which they should both share unless Oliver was found to be an insolent young man. He and his mother, when the old lady was alive, planned to destroy every possible evidence that would lead to make Oliver 3000 pounds richer or even those which could show his attachment to the old Edward Leeford. 

Thanks to Nancy, the live-in partner of Bill Sikes who could never bear to see Fagin and his gang cut loose the bright future of another person, which, in this case is Oliver, and which these people have already done to her life. Unluckily, because of the kindness she never admitted, she was inhumanely killed by Sikes.  

The story ended with Fagin being sentenced to death, with Bill accidentally killing himself and with Oliver, becoming relieved of a kind of life and family he never once imagined he has.  

Anyone would probably feel sorry if he sees someone, especially a child already deprived of a better life at a very young age and worse planted in a soil that hardly grows healthy crops. Take this as a background and stuff it with ingenuity through words and expressions of unparalleled depth and wit and you would end up with a literary classic anyone would find completely wonderful to read at any given time. That's what true literary genius is, already exemplified by Charles Dickens in a novel I would never forget, Oliver Twist.



SEE ALSO the movie version of Oliver Twist and it's musical version.

Friday, May 9, 2008

The Lord of the Flies - William Golding


Category: Books
Genre: Fiction
Year Published:
1954

The present society with which we live in is marred by the undying clamor for the breach in the terms stated in the mandate in connection with the freedom of expression as well as the bill of rights of the citizen. Democracy has turned into fascism, as many other people would say. And this is true all over the world for people ruled under the democratic principles of governance.

However, while reading Golding's highly appraised novel, I came to realize that sometimes, it is necessary for a national leader to hold his people tighter if he wants his subjects to be more inclined at what they should be doing, that is, working towards progress.

Evilness and savagery is innate in the blood and veins of humans for we still are animals in any way you look. From the moment we were born, we all possess those qualities but because we are being tamed and honed by an authority of rules and laws, we tend to become more civilized in the process of growth and development. This is the core of Golding's novel.

But no matter how you look on it and no matter how very truthful, or rather, revealing the ideas that the author presented, the whole narrative itself is enveloped by wickedness and darkness. The use of a bunch of school boys may be impressive for many others which truthfully paved the way to a faster transmission of the things the author tried to tell his readers, it's quite far off that the death of some companions should serve as the consequence for the battle of power and superiority.

True, people who do not have other choice than to kill opponents, like those politicians who are very much engrossed at wielding power for their own interests are the very persons who could do that, but a good writer knows how to convey his message in a lighter way which if analyzed, would be more striking than what the senses could naturally perceive.

The Lord of the Flies is a novel about a group of school boys who was stuck in an island after the airplane which they boarded failed to reach its destination due to a storm. At first, everything was in order after they chose a leader and after they decided on their respective tasks to survive and be rescued from the dreadful island. Envy and greed in power caused a rift between the boys which cut loose the string that tied them together.

Little by little, the popularly-selected authority lost control and savagery took over the once civilized boys. They feared of a beast somewhere up in the mountain, but they are unaware that the beast is actually within themselves. Death of two of their companions followed before they were eventually rescued by a passing navy ship and only then did they realize the offenses they did.

Without reference to my previous assertions, I laud Golding for being so bold and for expressing the ills of the society in a creative yet striking manner.

If you want a novel that reveals the prevailing social conditions, then this definitely is for you. But be sure that you're not faint-hearted.

Sunday, May 4, 2008

Harry Potter and The Epic Journey to Fame - A Scrutiny of the Greatest Bildungsroman Ever Told

This is a published review on our college paper. Hope you'd enjoy it... If there's anything offensive here, just let me know. If you want to cite something, here's how you can do it:

Guinto, Nicanor L. "Harry Potter and the Epic Journey to Fame - A Scrutiny of the Greatest Bildungsroman Ever Told." The Footprints. Vol. 13, No. 1. June - December, 2007. pp. 18-19.

I really worked so hard to write this. I hope you could appreciate it.

Harry Potter and the Epic Journey to Fame
A Scrutiny of the Greatest Bildungsroman ever told

For seventeen years, we have seen how a fictional character by the name of Harry James Potter grow up in the hands of a newbie in the literary scene. We have sympathized with Harry’s plight as an orphan, tasted triumphs and defeats in his wealth of adventures, delivered peace and battled adversities in light for goodness, deciphered clues and uncovered truths enroute out of trouble and savored glory coupled with bliss for every trek well-passed. We have also seen the lighter side of Harry as he learned to love, reach out for love and fall out of love. Indeed, nothing is comparable with the vividness and subtlety of Harry’s character in the sea of fictional outgrowth – a character who lives not merely as a personality in a book but a living person in the hearts and minds of Potter enthusiasts and who in one way or another had been a companion, a comrade and a friend.

Every bits and pieces of Harry now provides the living proof of Joanne Kathlene Rowling’s magical wisdom and impeccable ingenuity. Her extraordinary jumpstart came to redefine the prodigious history of fiction writing, as she was hailed today as the author who rekindled the beauty of writing as well as the burning desire of readers in hope for a good story.

But there is more to Harry Potter and J.K. Rowling, which in itself a story of some kind. And here, I highlight some vital points which ushered this bildungsroman to an epic journey to fame.


Harry Potter and the Magical Writer

Imagine yourself as a plain language teacher with no other goals than to give your daughter a brighter future singlehandedly because your husband felt that you do not deserve him. Then after a couple of years, while sitting on a train station as a nobody, you became very very excited on something – a peculiar tale that keeps on urging you to put it into writing though you know that there’s not a single drop of a writer’s blood that flows in your body. But then, you finally decided to let it overcome you and in an instant you became the face of every magazine and the words of every newspaper print.

In Rowling’s case, it’s not a mere imagination, though. It’s a reality which is worth the buzz since if she never let loose such an overwhelming thought, she would never have been richer than Queen Elizabeth herself and as highly acclaimed as the man who was crucified to death.

“There is a J.K. Rowling who lives in the hearts and minds of children everywhere,” writes Lev Grossman in TIME’s July 23, 2005 issue. The kids and adults alike who share the same interest with the literary feat will forever remember the picturesque world of witchcraft and wizardry nor will they forget the times they took part to a history in the making as they stood to wait in a seamlessly endless line of devouts to the cashier in every book release.

Interestingly, as Grossman reveals in his interview with the author, this woman who invaded bookstores worldwide by storm through her spellbinding tale does not even like fantasy novels. She did not even finish reading Lord of the Rings nor did she lift her fingertips on a Narnia book – two early 50’s novels to which her books are being compared a lot. She tells that it was only when she finished writing the Philosopher’s Stone (Sorcerer’s Stone in the US) back in 1997, that she realized she had produced a 309-paged one.

The fiction writer, however, stood to her decision, until the release of the last installment last July 21, that she may never again write a Harry-Ron-Hermione sentence in her future books. But, nevertheless, fans are still hopeful that one day, Rowling would eventually give in and write another Harry.


Harry Potter and the Monumental Climb

The Harry Potter series by far has bent substantially all the records a book could ever have. Primarily, The Deathly Hallows soared as the fastest selling book of all time, having been sold with eleven million copies in the first 24 hours of its release worldwide. That’s roughly 127 copies per minute! Accordingly, the series became the primary cause why The New York Times introduced a Children’s Book Bestsellers back in 2000 because Harry Potter never left the number one spot.

Would you believe that before the bestselling series trailed its way to success, the author has been turned down by a number of publishers claiming that the theme and the universe of the story is so obsolete and fictionally clichéd? It was Bloomsbury which first saw the potential of Rowling. By now, the British publisher enjoys several billions of dollars and innumerable submissions from other prolific writers. It’s the same with the American publisher, Scholastic through Arthur A Levine, which holds majority of outside UK publications.

Rowling remembers that when her first book finally flew right onto her hands, ambivalence, instead of uncanny euphoria took over her. Would you blame her for such a shrill emotion when your little piece of ingenuity will fall under the conservative eyes of literature pundits?

But no negative comments made this phenomenal book break the sturdy wall that for so long have separated the young from the old. After months of the quiet launch, an unprecedented number of people in various ages and nationalities have learned their faithful ways to every book shop selling the novel and have embraced the thought that there will be a more enticing world in the perspective of a newbie in the fiction scene which they’ll be following all through its very end.

It reached its peak when it finally entered the United States. Early raves in Britain brought about unparalleled curiosity to each and every sons of Uncle Sam. What was then a silenced book launch became a tumultuous line of mid-night party releases from different parts of the globe in the book launches that followed.

And now, the image of that small, skinny, bespectacled boy will forever remain in the hearts and minds of people, most of which are adults, which will always remind them that once they’ve felthow to be a child again. By the way, “… old men are guilty if they forget what it was to be young,” right?


Harry Potter and the Ingredients of Greatness

Professor Albus Dumbledore is probably the wisest of the wise in the literary picture today (though recently revealed to be a homosexual by the author herself). His wisdom echoes that of the author’s character. No wonder, her brilliance in concocting the best personality traits of her characters and painting a picture of a more enthralling world through balanced yet exuberant narratives are perhaps the most likely ingredients that paved the way to a “modern classic,” as critics put it, which “will last for a century, and a century after that, and another century after that,’ until mankind dissolves from existence.

Ruel S. De Vera, in his review with the Deathly Hallows (Phil. Daily Inquirer, July 23, 2007, p. C1) wrote “After 10 years…Rowling’s world-changing series about a young wizard growing up at the Hogwarts School of Witchcraft and Wizardry reaches its conclusion as the most anticipated novel in history.” Indeed there’s no point of argument over such assertion as perceived from the statistical records earned by the books over the years.

What makes it great then? Not the title, not the cover, not even the never-ending praise and criticisms nor the unkind fate of Harry, his gang and even that of Voldemort’s, but the thought and feeling that there is a possibility of a thoroughly established world where magic really does exist just lingering somewhere around our planet.

They have a bank run by goblins, a form of currency in exchange of products and services, a marketplace – the Leaky Cauldron, a school – Hogwarts - which trains potential children, a concrete law, a variety of means for transportation and communication, a well-reserved history, a treasure trove of culture, traditions, practices and beliefs and of course, a government agency, the Ministry of Magic, which acts as mediator and overseer of the wizarding community. An extraordinary world as such, as Ms. Rowling puts it, is hidden under the International Confederation of Wizard’s Statute of Secrecy - a brilliant scheme to introduce a world that neither exists in the eyes of muggles (non-magical people) nor is acceptable in the olden days.

The author even made a strong relation to that of our written history because several centuries back, witches have been dispersed and worse burned to death by old Europe which may have caused them to go into hiding from the public’s eyes, given that the tale is true. Hence, the Potter books may be regarded as another living proof that if history and fiction connives, any imaginary piece will shine a brighter glow in a multitude of colors of prominence. Talk about The Da Vinci Code.


Harry Potter and the Sinister Attacks

J. D. Salinger, with his forceful novel The Catcher in the Rye have been in the prime light for scrutiny over the years due to its exposition of explicit and unacceptable language in his narratives and expressly including in improper teenage pretentions and angst. But then, it’s ironical that the novel now fulfills its greatness in various academic curriculums, including that of the Philippines’.

The same with the Potter books, the Order of the Phoenix became the talk of conservatives and fundamentalists regarding the outward expression of love and lust of the character towards one another and the “below-the-belt” violence spiced even more by death as its main theme. For an instance, Harry and Ron caught Ginny and Dean kissing with one another in a very conspicuous place and time but the latter dismissed the idea of doing their thing somewhere private. For those reasons, it now appears at the list of the Most Challenged Book of the century in close rank with that of Salinger’s.

Again, ironically, California State University, and now a number of other academic institutions, have introduced a course “The World of Harry Potter” in their curriculums. Some initiated various other activities related to the series which are geared towards promoting a thorough study of the novel.

Meanwhile other religious analysts argue that the book is highly heretical because it not only neglected God as the supreme being, it also promoted the vindictive deeds of witches which in the medieval ages have been condemned and kept into oblivion till now by none other than the church which dominated Europe back then. They say that a children’s book must inculcate the idea of a God as what its predecessors had done - The Lord of the Rings and The Chronicles of Narnia - which were mainly based on Christian teachings.

However, as I see it in a perspective of a devout, there are certain points in the novel which may have implicitly promoted a religion – Christianity to be exact. Didn’t Harry receive gifts from persons he loves when it is Christmas Day? and didn’t they have the so-called Easter Holidays?

In addition, isn’t Rowling’s stance of not defining a specific religion on her novels a brilliant scheme? If she never did so, no Muslim, nor Hindu nor Jew nor Bhuddist would have leafed through the pages of her book only to find out that a religion that is foreign to them or maybe which they probably condemn is highly appraised on the fictional work. If she did so, it wouldn’t be a worldwide craze as it is now.

Furthermore, Rowling was outwardly criticized for treating her story non-sentimentally. But Grossman in his article in TIME - J.K. Rowling, Hogwarts and All - gave the most appropriate notion as to why the Potter books now lies in the pinnacle amidst a sea of negative reactions. “It’s precisely Rowling’s lack of sentimentality,” Grossman writes, “her earthy, salty realness, her refusal to buy into the basic clichés of fantasy, that make her such a great fantasy writer.” And for that, she became a one of a kind trend-setter. Look at how James Patterson’s Maximum Ride Series, Cornelia Funke’s Inkheart Series and many others sprouted so fast in the bookshelves. Truly, the aforementioned answers the reader’s hunger for more plots similar to that of the Potter books while they stand waiting for the next volume to be released.

Copyright lawsuits were also thrown upon the author and her books. Even the-not-so-famous The Legend of Rah and the Muggles and Larry Potter and His Best Friend Lilly, a novel by Nancy Stouffer in 1984 partake in the Potter craze. Stouffer claims that she is the rightful owner of several concepts in Rowling’s work and that she (Rowling) plagiarized her work. But later on, the case was “dismissed with prejudice” and she was fined $50,000 for her "pattern of intentional bad faith conduct." However, in another interview with TIME, Rowling revealed how affected she was by the issue saying “It felt as if some strange woman had come out of nowhere saying she was my children's mother ... It was like a punch in the stomach.”

Moving on, when it comes to book releases, the author had always set a particular date for her work to be published. The problem is, spoiler embargoes had not been evenly tight. In the release of the Deathly Hallows, copies were delivered and contained in high security vaults, as if the book is jewelry worth several billions! Dealers to where the books were delivered were also forced to sign a contract which mandated them not to open the boxes till the official release date. Reports even say, that just to keep the suspense in tact, the publishers printed the books in pitch darkness yet, no substantial details could support such claim.

But here’s what’s true. Analysts revealed that the publishers have spent several millions of dollars to be assured that copies will be taken out of the box in the exact day and time prescribed by the author. But then, “technical” failures caused a copy (Deathly Hallows) to fall in the hands of a 17-year old in the U.S three days before the official release date. They say that Scholastic paid the teenager with a great amount (exact figures were not identified) just to stop him reading the book and continue it only on the day prescribed.

***

The fun never ends as some would say but with the release of Harry Potter and the Deathly Hallows last July 21, a period has already been drawn in the story which means Harry-Ron-Hermione is most likely over and done with.

However, more and more enthusiasts began their advocacy of continuing the story through signature campaigns which would be submitted to the author as a plea to create a Wizard University. With only two movies left in the line, Harry Potter is in danger of becoming a figment of history as its predecessors had become. It’s the greatest fear of majority of Harry Potter fans. But let’s not go away with the possibility that the Potter books could have hatched a generation of superb story tellers, far more better than those we now have. Since everyone is considered a good writer at their own disposal, we can say that the possibilities are endless. Perhaps, one of Potter breeds could be the next J. K. Rowling who would soon arrive in the avenues of success and streets of fame (and fortune). It could probably be any one. It could probably be you.

© Harry Potter is a copyright of J.K. Rowling and Bloomsbury in U.K. and Scholastic Press in U.S.



REMINDER:

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Sunday, April 27, 2008

My 2007 Top 10 Books

In my quest to find a good story, I probably have stumbled upon the ones that I've been looking for. But I believe, there are more that are just lying around the corner waiting to be discovered and I must say that I am looking forward to that day, likewise I'm positive to really uncover one that is far from what I perceive to be good at this time.

Meanwhile, among the books that I've read starting December 2006 - December, 2007, I hereby commend the following books ranked according to their excellence in my point of view.

Rank No. 1 : GAPO by Lualhati Bautista

Rank No. 2 : OF MICE AND MEN by John Steinbeck

Rank No. 3 : HARRY POTTER AND THE DEATHLY HALLOWS by J.K. Rowling

Rank No. 4: THE JESTER by James Patterson

Rank No. 5 : YOUNGBLOOD 1,2 and 3 by Various Authors

Rank No. 6 : THE ALCHEMIST by Paolo Coelho

Rank No. 7 : MEMOIRS OF A GEISHA by Arthur Golden

Rank No. 8 : THE TRUMPETER OF KRAKOW by Eric P. Kelly

Rank No. 9 : CATCHER IN THE RYE by J. D. Salinger

Rank No. 10 : THE NOTEBOOK by Nicholas Sparks

[These are regardless of whether they are fiction or non-fiction, novel or just a compilation of essays]

Notable Books*:

THE GIVER by Lois Lowry
HOLES by Louise Sachar
THE DEVIL WEARS PRADA by Lauren Weisberger
MACARTHUR by Bob Ong
THE LORD OF THE RINGS: THE FELLOWSHIP OF THE RING by J.R.R. Tolkien
THE CHRONICLES OF NARNIA: THE LION, THE WITCH AND THE WARDROBEby C.S. Lewis
DICEY'S SONG by Cynthia Voigt
THE DA VINCI CODE by Dan Brown
ANGELS AND DEMONS by Dan Brown
JOHNY TREMAIN by Esther Forbes
THE SLAVEDANCER by Paula Fox
ANIMAL FARM by George Orwell
WITHOUT SEEING THE DAWN by Stevan Javellana

* These notable books may either have an appeal for me but did not pass my standards for the TOP TEN or books which I have read on the previous year that still is worthy of attention.

However, I would also like to set my wish list for this year so that I could better have a mindset and some sort of a guide on particular titles I hear to be great.

1. THE BRIEF WONDROUS LIFE OF OSCAR WAO by Junot Diaz
- the book proclaimed by TIME to be the best of 2007 in Fiction

2. OF GRAPES OF WRATH by John Steinbeck
- I was stunned by Steinbeck's Of Mice and Men, I think it would do me the same in this since this novel is known to be Steinbeck's best.

3. A THOUSAND SPLENDID SUNS by Khaled Hosseini
- a National Bookstore bestseller and TIME's Top 3 best fiction book

4. THE LORD OF THE FLIES by William Golding
- I hear so much about this [it's goodness, that is] from one of my classmates and one of my teachers in my major subjects and also in the lists of some consumers in Amazon.com. I already have this and when time permits, I would start leafing through its contents.

5. NUMBER THE STARS by Lois Lowry
- I want to find out whether Lowry not only did great on The Giver but on his other works particularly this, which is also a Newbery Medal laureate.

6. ERAGON by Christopher Paolini
- I'm just curious. They say, he has written this when he was 15 or younger?

7. TO KILL A MOCKINGBIRD by Harper Lee
- I have seen the film but I'm quite disappointed. However, I found many consumers from Amazon.com consider it to be one of the best. So I think, it's better read than seen.

8. THE DIARY OF A YOUNG GIRL by Anne Frank
- I hear so much about this. I think I really have to find out why many people say it's a classic.

9. LADY CHATERLIE'S LOVER
- I forgot who the author is, but my literature professor speak of it many times and he urges us to read it soon. I hope I could find a copy.

10. LIKE WATER FOR CHOCOLATES
- I don't know whether it's really the title of that book but It always catches my attention whenever I pay a visit to the bookstore. It was also mentioned once by one of my professors.

MY MUST HAVES:

THE LORD OF THE RINGS: THE TWO TOWERS and THE RETURN OF THE KING
THE CHRONICLES OF NARNIA: PRINCE CASPIAN - this will be shown on May, 2008, so I feel like I need to read it first before going to the cinema.

Posted by Nicky Guinto on January 12, 2008 at 07:53 AM in Books at Friendster Blogs